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Journal Sentinel Reviews Baltimore Consort's Early Music Now Performance
The Baltimore Consort, founded in 1980, appeared at St. Paul's Episcopal Church on Saturday as part of the Early Music Now series, performing a delightfully animated program of music tied to the plays of William Shakespeare. […]
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Santa Cruz Sentinel Reviews Galileo's Daughters', Ronn's Performance at SC Baroque Festival
In “Perpetual Motion: Galileo and his Revolutions,” the New York-based ensemble Galileo’s Daughters played Baroque music for soprano, lute and viola da gamba and paired it up with cutting-edge video animation by musician and videographer Marc Wagnon, who used footage shot by the Hubble telescope as well as his own photography of celestial landscapes and majestic cloudscapes. […]
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New York Times Review of Ronn's, Paul Odette's performance at Boston Early Music Festival
The Boston Early Music Festival traveled light for its latest concert at the Morgan Library & Museum on Friday evening, The program, “For Two Lutes,” offered just two performers playing easily portable instruments: the stellar and widely recorded lutenists Paul O’Dette (an artistic director of the festival) and Ronn McFarlane. […]
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San Francisco Classical Voice Reviews Baltimore Consort Performance
In its concert on Friday, Nov. 20, at Palo Alto’s First Presbyterian church, the Baltimore Consort provided a welcome alternative to this model with a program of “songs, dances, and fancies” from Elizabethan England, many of which Shakespeare would have actually heard in his lifetime and may have even incorporated into his plays. […]
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The Star Democrat Announces Ayreheart Performance in Easton
Performing as a quartet (vocals, two lutes, colascione and percussion), Ayreheart will present “Will You Walk the Woods so Wild,” a program of Renaissance music from the British Isles. Music of John Dowland, William Byrd and John Johnson will be featured, as well as old ballad tunes from England, Scotland and Wales. […]